Once In a Lifetime Experience

By Charlotte Discombe

In my personal opinion travelling is more than just about getting away from your worries and your normal routine of get up, go to work and go to bed. For me travelling is about the experience – that once in a lifetime experience.

According to the Oxford English Dictionary, the definition of experience is:

– Practical contact with and observation of facts or events;
– An event or occurrence which leaves an impression on someone;
– Encounter or undergo an event or occurrence.

In this sense an experience is something you, as a living and breathing human being, take part in or have a connection to. However, unlike an everyday normal event an experience is something that stays with you even after the experience has finished.

Travelling is an experience itself. You experience time and liminality; the act of being in between places and time frames. But travelling also allows you to experience many of the world’s vast cultures.

A QUICK NOTE

In a moment I am going to recount a month long visit to Japan where I travelled to Tokyo, Nara, Kyoto and Hakone. I wish I had the time and the words to delve into all of my experiences of these places, but alas that shall have to be saved for another day. For now, I hope you enjoy this small account of several ‘once in a lifetime’ experiences in the mountain town of Hakone.

 

Once in a lifetime experience 2
Hakone, Japan

 

JAPAN: THE EXPERIENCE

I had never been to Japan before. I had travelled around parts of Asia but Japan was a totally ‘new’ place for me. After finally finishing my degree I wanted time to explore. Despite having a little knowledge of Japanese culture after studying Noh theatre, Japanese modern history and anime, I still did not know what to expect from Japan. In fact in hindsight I really was not prepared for the experiences that were about to hit me.

After a couple of days in Tokyo experiencing singing subways, old Japanese heritage sites mixed in with gigantic skyscrapers and an earthquake, we headed out into the mountains.

Hakone is a little town on a mountain just opposite Japan’s most famous, and arguably most beautiful, volcano – Mount Fuji. The town is only a few hours inland from Tokyo, the main city on the coast of Japan, and is a place where (again in my personal opinion) I truly experienced Japan.

Despite being a popular destination for tourists wanting to see the magnificent Mount Fuji, Hakone manages to maintain many of Japan’s sacred traditions that have been passed down through the generations. This is in contrast to the historic cities visited such as Kyoto and Nara which, although filled with historic relics from Japan’s complicated past, have become a lot more commercialised and metropolitan. Don’t get me wrong, these are obviously still amazing places to go and visit and experience for yourself (as previously mentioned), but my time staying in Hakone will be something I will never forget.

To get to the countryside we took the subway, then get on a bullet train – the fastest train in the world going at a rocketing 200mph – and then got a civilian train into the mountains and onto Hakone. I remember this journey vividly. The day was hot and sticky. All the trains were packed and uncomfortable. It was the weekend and many of the locals were also travelling in order to enjoy the countryside in the sun or see loved ones. I remember worrying about mosquitos and about the fact that I had not had the Japanese Encephalitis vaccination (not a good idea folks when you’re going into the countryside). I remember a lovely lady trying to teach me how to write my name in Japanese calligraphy, such a wonderful and friendly beacon in a sea of unfamiliar faces all speaking a language completely unknown to me.

When we finally got to Hakone we were met by the owner of the house we would be staying in. For next couple of days the group had the pleasure of staying in a traditional Japanese house, experiencing the richness of old Japanese culture and rituals.

This house was right on the side of the mountain and was a very long way up from the small town station. It was a sacred place and provided many of the locals with public baths to wash in. There were a few rules that needed to be respected:

  1. No shoes were allowed in order to keep the outside world away.
  2. Western clothes were frowned upon as guests were invited to immerse themselves within Japanese traditions.
  3. Tattoos were not allowed, or at least needed to be hidden as to many Japanese tattoos are a sign of the Triad (the gangs that have caused Japan so much violence).

On our arrival to the house we shared the ritual of bathing with the other guests and locals of the town. For someone very self conscious about her body, naked or otherwise, this was at first a very unsettling experience. Not only was I to be fully naked in front of my travelling companions, but also in front of men and women who I had never met before and would probably be sitting down to have dinner with in the next couple of hours.

After taking our first wash in the baths we were then given lessons in how to put on and wear a kimono – the clothing we would be wearing during our stay. I never thought something that looks so simple could be so complicated. There were layers and layers of material that all needed to be folded in a specific way to create the kimono. We could even wear our PJs, a rather fetching pair of yellow trousers and belted top, under the kimono. This was again was a completely new experience for me to try!

Once finally suited and booted (or words to that effect) we were shown around the house – yet another experience to add to my ever-growing list.

The house was a bungalow with spongy floors and wooden panels. Furniture was at floor level: we slept on the floor, ate on the floor and drank tea on the floor. There were many window panels covering the whole house, giving the impression that we were outside amongst the trees and wildlife within the wilderness that surrounded us on this mountain. Our bedroom had one massive window panel that looked out over to Mount Fuji. I have to say that waking up to see the sun rise over Mount Fuji every morning will be an experience I will never forget – an image that at first look seems so calm but when looking closer you could see smoke emerging from the volcano, a sign of the unrest right underneath our feet.

 

Once in a lifetime experience 3
Hakone, Japan

 

THOUGHTS ON THESE EXPERIENCES

Day after day the self-consciousness I felt on this first day, after taking part in so many new experiences, gradually faded. These experiences have become memories and these memories are still with me now. Even the experience of ritualistically washing in front of strangers whilst naked in a public space became pretty liberating.

I admit I have probably bored you by going into very specific detail about said experiences. I haven’t even gone into the fact that meal times were set and the meals were very true to traditional Japanese food. OR the fact we walked up the mountain in our kimonos to even smaller villages and experienced tea ceremonies. OR the fact we got right up close and personal to Mount Fuji. The list could go on… However, I hope you realise that this specific detail is important to me and it is what ‘made’ my trip to Japan. This was and still is what I travel for. I was taken out of my comfort zone in small ways and as a result I got to experience a small but AMAZING part of another culture. If I had not travelled to Japan and to the little town of Hakone, these experiences that I will never forget would never had happened. So if there’s just one bit of advice I could part to you it is travel to experience. Don’t just go travelling to get away, go to experience something new. I promise you won’t regret it.

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In need of Shelter: Medika, Zagreb’s independent creative community

By Connor Newson

Its been a little over a month since myself and Jean began hitchhiking from the West of France towards Eastern Europe. By now I have become pretty familiar with some kind of routine, or at least understanding certain objectives that need completing before the day is out. This usually includes finding a place to sleep: a field, a park, somebody’s sofa or van, a cave, practically anywhere that wouldn’t mean being moved on by police at 2am (which has happened twice already) is suitable. Think our standards seem low? Me too, but I find this is the best way to truly experience local life. However today I didn’t expect to stumble upon Medika, a former squat turned creative and cultural centre, which sheltered me if only temporarily from the fast approaching winter.

It doesn’t take long for the 20kg bag on my back to begin taking its toll as I walk towards the city centre. I take refuge in a pub and make a list of other objectives to pass time: “buy new gas canister, find gloves and scarf, buy tomato to cook with, FIND SOMEWHERE TO SLEEP”. After an hour the rain subsides, so I pack up my things. As I do so the barman asks where my hostel is. I explain to him I don’t have one. “Actually I’m looking to pitch my tent, do you know anywhere?”. He tells me this is going to be difficult in a big city, and this I know all too well from sleeping on the streets of Modena in Italy two weeks ago. “You should check out a squat called Medika, they might let you sleep there if you wash some dishes or something for them,” he adds.

With some brief directions to work with I thank the barman and set about completing my task. Daylight quickly fades and I become exposed to the captivating, however wet, atmosphere of Zagreb by night. I navigate through the bustling centre of town, watching as people pile in and out of the packed evening trams on the main square. As I pass by the National Theatre I spot a tiny patch of grass concealed underneath a small bush surrounded by busy roads. “Just enough space to squeeze my one-person tent if all else fails,” I think to myself. I carry on, determined to find this safe haven.

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Finally, as the rain picks up pace once again, I reach a complex of buildings hidden behind tall walls. Every inch is a plastered palimpsest of thought-provoking graffiti. This must be it. I enter through the darkness of a passage until I stand alone in the middle of what resembles a concrete courtyard surrounded by more elaborate street art. The rain continues to fall, and there is little sign of life besides two rooms illuminated by dim flickers of orange. A man then walks out into the shadows from a door, struggling to pull a hood over his head whilst simultaneously lighting a cigarette somewhat unsuccessfully.

“What is this place?” I call, hoping to spark some sort of conversation.

“Well”, he replies in a heavy Balkan accent walking towards me. “It’s everything.” An ambiguous response. He then gestures over to the flickering orange windows, “that’s our library on the ground floor. It has a Free Shop [where people take or leave items of clothes as they need], a small information desk, and occasionally workshops. Above is the gymnasium, and a few bars and a club space are dotted about.” They seem to have everything. I ask to check out the library thinking – or rather hoping – it’ll be warmer inside.

As I enter through a very used looking door I interrupt a group of four people who all turn to me eagerly from a table in the corner.

“Are you here for the workshop?” A guy with blonde hair, Stan, asks.

“Unfortunately not, I wondered if I can just sit in here?” I reply.

He graciously accepts, hearing the rain hammer down more heavily now. I see a sofa in the middles of the room and sit, drying off my sodden clothes by a small log-burner to my right. The embers gently throw a flickering warm glow onto the shelves of books that surround me. Lining the walls are posters of political resistance, anarchistic drawings and paintings, humanist and feminist slogans confessing solidarity in support for equality. Meanwhile a small French pug is gnawing on a bone as big as her little head underneath the Free Shop (which is essentially a coat rack full of clothes and a few bags of scarves and gloves). I quietly coax her over and she complies, bounding onto the seat next to me.

Now I sit content, listening to the relentless downpour on the window panes whilst Stan explains how clay can be purified to make medicines and toothpaste. I feel relieved not to be on the other side of that door, for instead of facing the bitter elements alone on the street I now face the warmth of a log fire with the company of a canine companion. Soon enough the workshop is finished and myself, PhD Chemistry student Stan, Art student Erica, Language student Isa, and my new French friend – who is now curled up on my legs – are sat around the burner, drinking ginger and rosehip tea to nurse our shared cold. I become eager to understand more about Medika and Stan seems more than happy to give me the low-down.

Apparently, the space was formerly an abandoned medicine factory (which explains its name) until about a decade ago when it became occupied illegally by a group of people who wanted to use it for their own desires – otherwise known as a squat. Judged as unwelcoming to begin with, the early days of Medika lacked government and public support which is not unusual when it comes to the opinions of squat communities. But time passed and creativity flourished, the space has since transcended as an independent creative social and cultural centre. With its potential now acknowledged at least in part, Medika has acquired a partial legal contract with the city which means they rely on donations from its own facilities – such as Stan’s workshop – and subsidies from exterior organisations to pay the bills.

Whether this is a genuine understanding of creative subcultures on the council’s behalf, or an effort to utilise Medika as a strategic tool to draw in tourism and subsequent capital is a different matter. Either way it seems to be surviving for now. However Zagreb’s reputation of becoming a Global City is continuously proving more fruitful, so the probability of such cultural communities becoming susceptible to over-commercialisation is undoubtedly high.

I begin to question the often negative stigmatisation of squat-like social centres across Europe. Such generalisations only serve to limit the effectiveness of similar creative spaces. Moreover, these communities are usually born from a genuine desire to construct a space that allows the free collective creation and consumption of creativity, which is becoming increasingly important as more and more public spaces become privatised.

As late evening approaches, I again become aware of the outside world and my imminent mission to set up a small tent underneath a small bush on a small patch of grass, surrounded by not-so-small roads. However, on hearing this, Stan instead invites me to crash on his sofa. My need for shelter has been graciously welcomed by a likeminded soul in the confines of a former medicine factory – a perfect turn of events in Zagreb, besides the illness of course. But we have more hot tea for that inconvenience.

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